Allen & Heath GL2400
GL2400 - Call for pricing - Dual-Function Live Sound Mixer
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For 35 years, Allen & Heath has designed truly innovative mixers for the real world and has earned its enviable reputation for superior performance, functionality and build quality. Building on the success of the industry-standard GL2200, they are proud to present the new 4-bus dual-function GL2400—the next generation of a mixing classic.
This mixer is designed for professional applications. Whether mixing FOH, monitors, or both, recording live or in the studio, installed in a house of worship, out on the road touring or earning its keep in rental stock, the GL2400 provides the perfect solution. Engineered for modern engineering techniques, every detail in this mixer has been carefully thought out to provide the very best mixing experience. For example, the mono output can be configured as LR sum, wedge, or aux-fed sub or center master. In Monitor mode, all six auxes are available on faders with mutes, inserts, meters and XLR drive. The new 7x4 matrix with ambient mic capability opens up a huge number of mixing applications, including stereo recording, zone feeds, delay fill speakers and stereo in-ear monitor mixes. Plenty of hard work has gone into the design of the audio circuitry in this mixer, and with its amazing headroom and new ultra-quiet mix head amp, this is the best performance yet!
Features
- 16, 24, 32, 40 channel frames
- Proper dual functionality for FOH and/or Monitor mixing
- 100mm dust protected faders
- 6 Auxiliary sends
- 2 stereo channels
- 4 Audio groups with pan control
- Oscillator and pink noise generator
- Sys-Link 2 console linking option
- Responsive 4 band, 2 sweep EQ
- 7x4 Matrix
- Headphones and local monitor outputs
| Specifications |
| Operating Levels |
| Channels | Headroom +20 dB | Max. XLR Output | +26 dBu |
| Mix | Headroom +22 dB | Max. Mic Input (inc. pad) | +34 dBu |
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| Frequency Response (±0.5dB) | 20 Hz–50 kHz | THD + Noise @ 1 kHz | < 0.003% |
| Mic CMRR @ 1 kHz | > 80 dB typ. | |
| Crosstalk @ 1 kHz |
| Adjacent Channel | > 90 dB | Mute Shutoff | > 90 dB |
| Fader Shutoff | > 90 dB | |
| Noise Performance (22Hz–22kHz unweighted) |
| Mic EIN | -128 dB | Residual Output Noise | < -96 dBu (-100 dB S/N) |
| Mix Noise - 16 routed | < -86 dBu (-90 dB S/N) | Aux. Mix Noise - 16 routed | < -92 dBu (-90 dB S/N) |
| Connection Impedances |
| Mic Inputs | 2 kΩ | Line Inputs | > 10 kΩ |
| Outputs | < 75 Ω | |
| Equalization |
| Max. Boost/Cut (each band) | ± 15 dB | Filter (mono input) | 100 Hz |
| Mono Channel HF | 12 kHz shelf | Stereo Channel HF | 12 kHz shelf |
| Mono Channel HM | 500 Hz–15 kHz, Q=1.8 | Stereo Channel HM | 2.5 kHz, Q=1.8 |
| Mono Channel LM | 35 Hz–1 kHz, Q=1.8 | Stereo Channel LM | 250 Hz, Q=1.8 |
| Mono Channel LF | 80 Hz shelf | Stereo Channel LF | 80 Hz shelf |
| Metering |
| Sensitivity | 0VU = +4 dBu at XLR out | Peak Indication Threshold | 5 dB before clipping |
| Dimensions (HxWxD) and Weights |
| 16 Channel | 15.0 x 60.9 x 56.0 cm | 5.9" x 24.0" x 22.0" | 16.5 kg (36.3 lbs) |
| 24 Channel | 15.0 x 81.7 x 56.0 cm | 5.9" x 32.2" x 22.0" | 21.5 kg (47.3 lbs) |
| 32 Channel | 15.0 x 102.5 x 56.0 cm | 5.9" x 40.4" x 22.0" | 26.5 kg (58.3 lbs) |
| 40 Channel | 15.0 x 123.3 x 56.0 cm | 5.9" x 48.5" x 22.0" | 32 kg (70.5 lbs) |
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