Allen & Heath ML3000
ML3000 - Call for pricing - 15 Bus Live Sound VCA Console
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Never before has a fully equipped VCA desk been accessible to so many people. Once again they’ve applied their design skills to making a previously exclusive technology affordable to people on a real world budget. They’ve also included their unique LCRplus panning system, bringing sophisticated signal imaging within reach for smaller shows. All this power is harnessed in a remarkably compact console which is a real pleasure to drive thanks to its simple, uncluttered control layout.
The most compact VCA mixer available today, but don’t let its small size and modest price fool you—this console is packed with all the tools you need for professional live sound mixing. The Allen & Heath ML3000 earns its place in any PA system—the perfect investment!
NEW: There is now a ‘B’ Option available with first 4 mono channels to the right of the master section replaced with 4 stereo channels.
Features
- 24+2, 32+2, 40+2, 48+2 channel frames
- 2 extra dual input stereo channels
- 8 VCA groups for level control
- Dual functionality for mixing front-of-house, stage monitors or both
- 8 aux sends plus aux 7-8 stereo mode for creating a true stereo mix
- 8x4 matrix with inserts and external inputs
- 8 mute groups
- 4 band EQ with swept mid range
| Specifications |
| Operating Levels |
| Channels | 0 dBu Headroom +21 dB | Max. XLR Output | +23 dBu |
| Mix | -2 dBu Headroom +23 dB | |
| Frequency Response (+0/-0.5dB) |
| Mic to Main Output (+40dB) | 20 Hz–70 kHz | Line to Main Output (0dB) | 20 Hz–22 kHz |
| Distortion |
| THD + Noise @ 1 kHz | < 0.01% | |
| Common Mode Rejection |
| Mic Input (+40dB) | > 85 dB | Mic Input with Pad (0dB) | > 50 dB |
| Crosstalk @ 1 kHz |
| Adjacent Channel | < -95 dB | Mute Shutoff | < -85 dB |
| Fader Shutoff | < -85 dB | |
| Noise Performance (22Hz–22kHz unweighted) |
| Mic EIN with 150Ω source | -128 dB | Residual Output Noise | < -98 dBu |
| Mix Noise - nothing routed | < -95 dBu | Mix Noise - 24 channels | < -88 dBu |
| Connection Impedances |
| Mic Inputs | 2 kΩ | Line Inputs | > 10 kΩ |
| Outputs | < 75 Ω | |
| Equalization |
| Max. Boost/Cut (each band) | ± 15 dB | Filter (mono input) | Off to 400 Hz |
| Mono Channel HF | 12 kHz shelf | Stereo Channel HF | 12 kHz shelf |
| Mono Channel HM | 500 Hz–15 kHz, Q=1.9 | Stereo Channel HM | 2.5 kHz bell, Q=1.6 |
| Mono Channel LM | 35 Hz–1 kHz, Q=1.9 | Stereo Channel LM | 250 Hz bell, Q=1.6 |
| Mono Channel LF | 60 Hz shelf | Stereo Channel LF | 60 Hz shelf |
| Metering |
| Reading 0 | 0 dBu at XLR outputs | Peak Indication Threshold | 5 dB before clipping |
| Dimensions (HxWxD) and Weights |
| 24 Channel | 25.2 x 114.1 x 64.0 cm | 9.9" x 45.0" x 25.2" | 34 kg (75 lbs) |
| 32 Channel | 25.2 x 139.6 x 64.0 cm | 9.9" x 55.0" x 25.2" | 41 kg (90 lbs) |
| 40 Channel | 25.2 x 165.1 x 64.0 cm | 9.9" x 65.0" x 25.2" | 48 kg (106 lbs) |
| 48 Channel | 25.2 x 190.6 x 64.0 cm | 9.9" x 75.0" x 25.2" | 55 kg (121 lbs) |
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