Allen & Heath ML4000
ML4000 - Call for pricing - 23 Bus Live Sound VCA Console
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ML4000 sits squarely in the center of the ML series, providing an ideal solution for those customers who need similar functionality to the ML5000 but who can’t justify the size or expense. The console boasts advanced VCA capability and the innovative LCRplus panning system. Allen & Heath even found a way to provide a similar level of show automation capability to ML5000, thanks to their archiver/snapshot PC software.
The ML4000 is the ideal all-purpose solution for install, PA hire and touring applications, handling both front-of-house and stage monitor mixing with ease. With the intuitive layout, and the traditional British EQ and high-definition preamp, getting the right sound couldn’t be easier.
NEW: There is now a ‘B’ Option available with first 4 mono channels to the right of the master section replaced with 4 stereo channels.
Features
- 24+2, 32+2, 40+2, 48+2, plus up to 2x 24 input sidecars, total 96+2 channels
- 2 extra dual input stereo channels
- 8 VCA groups with mute and PAFL functions
- Dual functionality for mixing front-of-house, stage monitors or both
- 12x4 matrix with inserts and external inputs
- 8 mute groups
- 4 band, full sweep EQ with switched Q on midrange
| Specifications |
| Operating Levels |
| Channels | 0 dBu Headroom +21 dB | Max. XLR Output | +23 dBu |
| Mix | -2 dBu Headroom +23 dB | |
| Frequency Response (+0/-0.5dB) |
| Mic to Main Output (+40dB) | 20 Hz–30 kHz | Line to Main Output (0dB) | 20 Hz–30 kHz |
| Distortion |
| THD + Noise @ 1 kHz | < 0.02% | |
| Common Mode Rejection |
| Mic Input (+40dB) | > 80 dB | Mic Input with Pad (0dB) | > 50 dB |
| Crosstalk @ 1 kHz |
| Adjacent Channel | < -95 dB | Mute Shutoff | < -90 dB |
| Fader Shutoff | < -90 dB | |
| Noise Performance (22Hz–22kHz unweighted) |
| Mic EIN with 150Ω source | -128 dB | Residual Output Noise | < -98 dBu |
| Mix Noise - nothing routed | < -94 dBu | Mix Noise - 24 channels | < -84 dBu |
| Connection Impedances |
| Mic Inputs | 2 kΩ | Line Inputs | > 20 kΩ |
| Outputs | < 75 Ω | |
| Equalization |
| Max. Boost/Cut (each band) | ± 15 dB | Filter (mono input) | 20 Hz to 400 Hz |
| Mono Channel HF | 2 kHz–20 kHz shelf | Stereo Channel HF | 12 kHz shelf |
| Mono Channel HM | 500 Hz–15 kHz, Q=1 or 2 | Stereo Channel HM | 2.5 kHz bell |
| Mono Channel LM | 35 Hz–1 kHz, Q=1 or 2 | Stereo Channel LM | 250 Hz bell |
| Mono Channel LF | 20 Hz–200 Hz shelf | Stereo Channel LF | 60 Hz shelf |
| Metering |
| Reading 0 | 0 dBu at XLR outputs | Peak Indication Threshold | 5 dB before clipping |
| Dimensions (HxWxD) and Weights |
| 24 Channel | 28.2 x 119.6 x 78.1 cm | 11.1" x 47.0" x 30.7" | 53 kg (116 lbs) |
| 32 Channel | 28.2 x 145.1 x 78.1 cm | 11.1" x 57.0" x 30.7" | 65 kg (143 lbs) |
| 40 Channel | 28.2 x 170.6 x 78.1 cm | 11.1" x 67.0" x 30.7" | 75 kg (165 lbs) |
| 48 Channel | 28.2 x 196.1 x 78.1 cm | 11.1" x 77.0" x 30.7" | 87 kg (191 lbs) |
| Sidecar | 28.2 x 83.1 x 78.1 cm | 11.1" x 33.0" x 30.7" | 40 kg (88 lbs) |
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